About: jeevan sharma
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jeevan sharma (born on 8th April 1960)
Biography of Jeevan Sharma
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Jeevan Sharma (March 8 1960 ) is an Nepali singer, songwriter and poet . The term Jeevan means the life and sharma means shelter . Knowen as the people’s singer Jeevan Sharma is widely regarded as one of the most significant cultural figures of the proletarian class and one of the greatest propagandists among suppressed people throughout the world . He is also known for his philanthropy, charitable for the poor and simple lifestyle . Jeevan’s contributions to music, dance, drama poem along with his popular as well as publicized personal life, made him a global figure in people’s literary works since 19764 . Because of distinctive vocan and song writing he is widely considered on of the pioneers of peoople’s song .
Jeevan sharma started singing in Nepal’s western mountains of Baglung district at the age of fourteen . He used to sing the songs of poor who were consistently exploited by upper class . During those days He was underground activist of against the absolute regime of monarchy in Nepal . He raised awareness among the people with his popular songs . Learnt to play a number of musical instruments, he composed several music and developed some reputation in music at a local level . He did well to develop a sense of class conscious in the grass route level . He spent countless hours in social activities and music performances .
As jeevan sharma left the village and came to Kathmandu he got many chances to join the cultural programmes . Jeevan Sharma joined Engineering college at Pulchowk but he realized that it would be better for spending more time studying books on social science and philosophy and in practicing music. As a result, after successfully completing one and half year of the college course in Electrical Engineering, he switched to social studies and singing songs full time. he studied philosophy and sociology in colleges and University and completed Masters Degree from Tribhuban University, Nepal.
During his career as a student, he was an ardent student activist. he developed many songs that adhered to issues of social justice and social change. Gradually the entire activist community in Nepal started looking forward to his contributions to society through music. As a result, he abandoned an offer of admission and scholarship in a PhD program in sociology and devoted a full time career in music. since there was no music school in Nepal which could offer him higher studies, could not advance his career in Nepal
Over years, he has devoted his life for social transformation and his contributions primarily came through art. During this course, he has published more than 400 songs and continued making his living through music with a pseudo name of Jeevan Sharma. He writes lyrics, gives music and uses his own vocal in most of these songs. However, his songs are among the most popular ones in Nepal and contributions of his music made in raising the social awareness in Nepal over the last three decades. Similarly, he has traveled every corner of Nepal every major cities of India and several cities of overseas during his journey to carry the people’s music to people. The most profound gain he has made in this process is the depth of understanding and intensity of connection made with people of various ethnic people, nationalities, religions and cultures in this Nepal .
The entire life of jeevan sharma has been devoted for raising the consciousness among marginalized people . He founded Raktim Cultural movement in 2043 B.S. He established it among the Nepalese people as well as throughout the world. Now Sharma is continuing his carrier on his path of singing people’s songs.
झिल्काे ः http://jhilko.com/category/sahitya
सल्काए जीवन शर्माले चेतनाको दियो : कालो धन थुपारेर ढल्की हिँड्नु भन्दा, हलो जोत्नु, गिट्टी कुट्नु होला राम्रो धन्दा1
चाहिँदैन मलाई शिशाको महल
चाहिँदैन मलाई चमेलीको बास
चाहिँदैन मलाई सम्पत्तिको राश… ।
यो जनगायक जीवन शर्माले गाएको पछिल्लो गीत हो । यस गीतमा जीवन शर्माले नेपाली समाजमा भएको बिकृतिबारे असहमति जनाउँदै बिरोध गरेका छन् । मानिसहरु शिशाका महलमा बसेको, चमेलीको बस्नादार तेल घसेर व्यक्तिगत सम्पत्तिको लागि मरिहत्ते गरेको बर्णन गर्दैै त्यसको बिरोध गरेका छन् ।
हो, नेपाली समाजमा क्रियाशील सबैजसो क्षेत्र पहिलाको तुलनामा थप भ्रष्ट बन्दै गएको छ । यहाँ अmझै विभेद छ । कलो धन थुपार्नेहरु र राष्ट्रको ढुकुटीबाट लुट्नेहरु ठूला ठूला राष्ट्रवादी भाषण गर्दै हिँडिरकेका छन् । उनीहरु आफैं भ्रष्टाचार उन्मुलन गर्ने भनी खोक्रा आश्वासन बाँड्दै हिँड्ने गरेको हामी सबैले देख्दै र सुन्दै आएका छौं ।
जीवन शर्माले समाजमा जकडिएर बसेको यो व्यथा, मर्म र समस्यालाई कति मिठो शैलीमा गीतमार्फत चेतना छरेका छन् । उनले गएका गीतमा न त कसैले बिरोध गरेको छ न उनी गीतकै कारण विवादमा आएका छन् । उनका गीतले भन्छन् ः
कालो धन थुपारेर ढल्की हिँड्नु भन्दा
हलो जोत्नु, गिट्टी कुट्नु होला राम्रो धन्दा
होला बरु झुपडीमा भोकै सुत्नु राम्रो… ।
समाजमा अझै कहीँ न कहीँ समस्या छ । राज्य सञ्चालकहरुसँग कही न कहीँ व्यक्तिगत स्वार्थ लुकेको छ । कालो धन थुपार्ने होडबाजीले गर्दा गरिव दिनदिनै गरिवीको चपेटामा चेपिदै गएको छ र धनी दिनदिनै धनको राशमा रजाईँ गर्दै छ । यही कुरा, यही विषयबस्तुलाई जीवनले कति जीवन्त पाराले स्वर र शव्दमा उनेर चेतनाको दियो बाल्दैछन् ।
यता लोक गायक पुशपति शर्माको लुट्न सके लुट कान्छा… गीत जति चर्चामा छ, त्यो गीत आफैमा दिनानुदिन विवादित पनि भएको छ । गायक आफैले युट्युवबाट हटाएको यो गीत आलोचकहरुका लागि त झन चासोको विषय बन्दै गएको छ । युट्युवबाट हटाइए पनि यो गीतको चर्चा चलिरहेको छ । आखिर किन त ? किनकि यो गितमा कम्युनिष्ट पार्टीको झण्डालाई दुरुपयोग गरिएको छ, अहिलेको शासनलाई यमराजको शासन र कार्यकर्ताहरुलाई कुकुरको संज्ञा दिइएको छ ।
हुन त उनले पनि समाजकै समस्या गीतमा दर्शाउन खोजेका होलान् । तर उनले किन ताली भन्दा पनि बढी गाली पाइरहेका छन् ? तिनै गायक पुशपति होइनन् ? जसले मलाई मलेशिया यहीँ, अमेरिका यहीँ, अष्ट्रेलिया यहीँ भनेर गीत गाउँदै स्वदेशैमै केही उद्यम गरेर बसौँ भन्दै नेपालीहरुलाई आग्रह गरे ।
गीत संगीत भनेको समाजमा भएका बिकृति विसंगतिको चर्चा गर्ने र त्यसको समाधान गर्न सम्बन्धित निकायलाई झकझक्याउने माध्यम पनि हो । तर गीतले कुनै व्यक्ति, समुदाय विशेषलाई तोकेर गाली गर्ने, कुनै एक राजनीतिक दलको झण्डालाई दुरुपयोग गर्ने र ठाडो शव्दमा कसैलाई गाली गलौज गर्ने दुस्प्रयास ग¥यो भने के हुन्छ ? सायद पशुपतिले यसको जवाफ उनका दर्शकबाट पाइसकेका छन् ।
त्यसैले गीत संगीत तथा साहित्यले समाजमा भएका बिसङ्गतिलाई दर्शाउनका लागि ठाडो भाषा नभई घुमाउरो, प्रतिकात्मक, साङ्केतिक, र आफूलाई उक्त विषयको पात्रका रुपमा प्रयोग गरेर अभिव्यक्त गर्न सकेको खण्डमा कुनै पनि गीत संगीत तथा साहित्यले सही मार्गदिशा प्रदान गर्छ ।
कुनै पनि कृति सिर्जना गरिसकेपछि त्यसले समाज सुधारका लागि केही न केही योगदान गर्न सक्नु पर्छ । खालि सस्तो लोकप्रियताका लागि सिर्जना गरिएका गीत संगीत कालजयी हुन सक्दैनन् । जात÷जाति, समुदायबीच भड्काउ सिर्जना गर्ने, हुलदंगा हुन प्रेरित गर्ने, राष्ट्र र राष्ट्रियतामा अहित हुने कार्यमा कुनै पनि कलाकार र उसको कलाकारिता कदापी दुरुपयोग हुनु हुँदैन ।
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